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TRAVEL & TOURISM

Editing

Editing

Instravel - A Photogenic Mass Tourism Experience
02:14

Instravel - A Photogenic Mass Tourism Experience

► Editing: facebook.com/Oliver-KMIA-1622032868057530 instagram.com/oliverkmia/ twitter.com/OliverKMIA ♫ Music: Ben Laver benlaver.com https://soundcloud.com/ben-laver/instravel-a-photogenic-mass-tourism-experience-soundtrack ► Copyright and Picture Removal Request Regarding copyright, this work falls under fair use due to the short duration of each image appearance (1/7 of a second) and the "transformative" nature of this project. Finally, this video is not made for commercial use and will not be monetized. However, if you see your picture in this video and wish to remove it, please, just send me a message (@oliverkmia) via your Instagram account with a link to your picture and I'll remove your image right away. Thanks. ► Concept: I explained all the details of the video in this article at: https://fstoppers.com/bts/how-i-created-viral-video-and-what-i-learned-process-218052 I came up with this idea last year while traveling in Roma. I wanted to take a look at the popular Trevi Fountain but I never managed to get close to it. The place was assaulted by hundreds of tourists, some of them formed a huge line to get a spot in front of the Fountain. Needless to say that I was very pissed by this sight and left for the not less crowded Pantheon. I was shocked by the mass of people walking all around the city, yet I was one of them, not better or worst. Like all these tourists, I burned hundred of gallons of fuel to get there, rushed to visit the city in a few days and stayed in a hotel downtown. Then, I remembered a video I watched a few months earlier from the artist Hiérophante (vimeo.com/151297208). I decided to make this kind of sarcastic video but with the focus on travel and mass tourism. Hiérophante admitted that his video was "cliché" and that he got inspired by other videos. So I'm basically making fun of something I'm part of. The irony is strong. While the era of mass world tourism and global world travel opened up in the 60s and 70s with the development of Jumbo Jets and low cost airlines, there is a new trend that consists of taking pictures everywhere you go to share it on social networks. During my trip, I felt that many people didn't really enjoy the moment and were hooked to their smartphones. As if the ultimate goal of travel was to brag about it online and run after the likes and followers. In a recent article published by the Guardian, journalist Rhiannon Lucy Cosslett described this phenomena: "These Instagrammers are collectively sucking the joy and spontaneity out of travel photography, and for those unfortunate enough to bump into them abroad, possibly travel itself. We must pity the poor locals, who have to put up with them. [...] Social media encourages the memeification of human experience. Instead of diversity we see homogeneity. It’s extremely boring." https://www.theguardian.com/commentisfree/2018/jan/17/instagrammers-travel-sri-lanka-tourists-peachy-backsides-social-media-obsessed In the extreme situation, this image rush can have negative impact on the environment https://www.dpreview.com/news/3305755990/tourists-are-destroying-new-zealand-s-iconic-lake-wanaka-tree-for-instagram-photos However, I was able to find plenty of nice accounts over my research on Instagram. Some of them were inspiring and lead by talented persons. In the end, social networks are just a tool. For better or worse, (or both). Eventually, I couldn't secure a picture of the Trevi Fountain for my Instragram account but I still had a very nice time in Italy. ► Production: I used images available on public Instagram accounts. Finding and sorting the material took a lot of time but I produced the video over several months when I had time. The process of aligning each and every images manually in relation to the next was very tedious. Image credit of the video Thumbnail: Eiffeil Tower: Pixabay Lady with Iphone: Stokpic Lady on the beach: Wendy Hero Selfie: Tookapic Japanese temple: Pixabay Map: Pixabay Taken from https://www.pexels.com/ (Creative Commons Zero CC0 license)
Watchtower of China
04:06

Watchtower of China

Creating Watchtower of China was a labour of love. I say labour because we, meaning my crew and I, throughout three consecutive summers, visited over seventy cities and travelled countless thousands of kilometers. Everywhere we went, we found ourselves channelling the powerful energy of this great land to find the strength and inspiration to continue our quest along what became life-changing for all of us. When we initially gathered together we were a film crew. By the time we were done, three years later, we had become a family. I say love, because what we have created is more than just a film. It is a declaration of our love for this Country. When I set out on this project I wanted to create a visual tribute to China - an honest observation of daily life. Not a surface travelog, but a real and raw representation of the cultural history. An honoring of Chinese culture, identity, and the complex and varied way of living that spans the enormity of the Chinese territory. A window on the dedication and discipline, the craftsmanship and hard work of the Chinese people. They have an energy of moving forward together as they draw power and inspiration from a culture that looks back over thousands of years, yet rushes fearlessly towards a bold future. I started to feel this intense energy, as though this cultural pride and determination were now moving through me and my camera. The experience of this film buried itself so deeply within me that I can still feel the hard day’s work in my muscles. It couldn’t have come together without the help of my dear friends, especially Jolien Snyers and Ricky Choy (did you spot Ricky in the film? She’s in multiple shots and sings in the very last taxi shot!) It is one of my proudest accomplishments. I hope you love it. INSTAGRAM: instagram.com/leonardodalessandri FACEBOOK: facebook.com/leonardolucadalessandri Directed and Edited by Leonardo Dalessandri MUSIC by Ezio Bosso © Sony Music Italy - Buxus Edizioni "Rain, in your black eyes" "Thunders and Lightnings" www.eziobosso.com Readapted and Mixed by Marc-George Andersen www.mgamusiccompany.com Producer: Leonardo Dalessandri, Polo Zhao (Zhao Yuan), Tiger Zhao (Zhao Shu) Production Manager: Johnny Jiang, Tan Ander First Assistant Director: Ricky Choy, Jolien Snyers Camera: Leonardo Dalessandri, Jolien Snyers, Ricky Choy, Deniz Bilol Additional Camera: Fatih Turker Production Assistant: Feng Ruiqiang, Wallas Lin, Sara Bosa Location Manager: Xu Xiaoai BTS: Li Yang,Ted Zheyi VFX: TOLAN FILM VFX Producer: Yunus Emre Tolan Production Crew: Zhao Lei, Cai Zhengyi, Jiang Huimiao, Zhu Shijiao, Mu Weide, Zhang Xiao, Yu Yaxue, Zhao Bingrong, Ni Xiaoqian, Fu Quansen, Zeng Seng, Yang Lan, Gu Liang Drone: Bill Hu FPV: Josselin Cornil, J-true Special shout out to my friends Kinson Loo, Mary Setrakova, Joonhong Tham, Filippo Chiesa, Zhou Bing, Li Yu, Damla Kocek Watchtower of Turkey: vimeo.com/108018156 Watchtower Of Morocco: vimeo.com/66659080 "Rain, In Your Black Eyes" © 2010 Ezio Bosso – All Rights Controlled and Administered by Buxus Edizioni s.r.l. ℗ 2016 Sony Music Entertainment Italy S.P.A. "Thunders and Lightnings" © 2010 Ezio Bosso – All Rights Controlled and Administered by Buxus Edizioni s.r.l. ℗ 2016 Sony Music Entertainment Italy S.P.A.

Humor

Humor
FEEL GOOD TRAVEL
01:00
Business trip| Raho Mast with OYO| CHROME PICTURES Director: Hemant Bhandari
01:19

Business trip| Raho Mast with OYO| CHROME PICTURES Director: Hemant Bhandari

Work taking you places, but booking you shady palaces? Don't lose your chill, Come to OYO! #RahoMast Client: OYO Creative Team: OYO Brand & Design Team Production house: Chrome Pictures Director: Hemant Bhandari Producers: Abhishek Notani & Shruti Bhandari Project Coordinator: Napolean Daniel Amanna DOP: Pratik Shah Production Designer: Akriti Piplani Costume Stylist: Ameira Punvani Editor: Shahnawaz Mosani Music Director: Sidhant Mago & Mayank Mehra Singer: Harshal Vyas Casting Director:The Perfect Way (Sumit Bhavna& Team) Cast: Namash Bhardwaj as Salesman Other cast: Deepak Pandey,Aditya Sharma, Ram Prasad & Gautam Babbar Chief AD: Aditya Gupta AD Team: Bhavytavya Saklani, Rohit Gupta ,Vignesh Shivasubramaniam, Prasanth Nanda kumar, Nishant Dey, Abhishant Gupta, Deepthi Karat, AD intern: Somesh Dahiya, Shachi Kulkarni Production Controller: Sandeep Gupta Production Manager: Shashikant Singh Assistant.Producer: Drishti Goda Production Asst: Sathish Krishnamoorthy Storyboard Artist: Mayur Saikia Costume Assistant: Harpreet Singh Sawhney, Bithi Kacholia Dressman: Gurmeet ,Rajan, Amit & Ravi Tailor: Mohd Shaeem Siddiqui AC: Salman Salar Khan Focus Puller: Rohit Yadav Art Director Assistant(Akriti team): Salman Khan, Vidya Shiva Kumar Delhi Location-Taj Mahal Hotel & Lala Lachhu Palace, Faridabad(Abandonend Location) Line Production: Sastha Productions Line Producer: Shailendar Kaushik Sastha Productions Team: Mohd Kaif, Manish Bhardwaj, Dinesh Thakur, Santosh Kumar, Rahul Gupta Local Art director: Shekhar Ujjainwal & Team Lights: Flamingo Lights Gaffer: Siby Joseph Panther & Grips: Mahalaxmi Grips Grip Asst: Montu Ninder, Harpal, Ankush Camera: Prerna Films Camera Attendant: Sunil D’Cunha, Mohan & Sohail Ali Makeup: Mohd Razi Facility Boy: Gullu & Team Dit: Vishal Transport: JS Travels Still Photographer: Raj Digital Studio Sound Recordist: Shivmurat Mishra Security: Aqeel Ahmed Catering: Alfaroz Catering Post Producer: Mithun R Shaw Post Asst: Abhishek Singh Sound Engineer: Darshan Nair & Risbhabh Bose Sound Assistant: Lucky Dhami Instrument Sitar Player: Chirag Katti Trumpet: Robin B .Fargose VO: Akshat Ghidial Grade: Navin Shetty (Nube Studio) DIT Mumbai: Ravi Tiwari Online Editor: Dipankar Mitra Asst Online editor: Dipen Singha Accountant: Vaibhav Desai Marketing & PR: Ashish Gole Mumbai Oyo Rooms: Production Designer: Urvi Ashar & Shipra Rawal Art Director Assistant Oyo Rooms: (Urvee Team): Art assistant:- Rizwan Thakur , Sankalpa Ranade, Krishna Thakur, Nikita Bhatiya. Make-Up Studio : Dinesh S. Dake & Manglesh Jaiswal Hair Stylist: Reshma Shaikh Dressman : Bhaskar A Satam, Chandrakant Patil Lights: Gopal Lights Gaffer: Vishwanath Chaugule Camera: Sera’s Equipments Camera Attendant: Sunil D’Cunha, Flavia D’Cunha Panther & Grips: Magic Moves Panther Attendant.: Jacob Boyalla Phantom(Studio): Prasad Equipments Phantom Operator(Studio): Aditya Choreographer : Imran Malgunkar Catering : Lunch: Muthuswammy Catering Services & Punjabi Tadka, Snacks: Chole Kulche Vanity Van : Siddhi Vinayak Vanities Walkie Talkie: Shri Manjunatheshwara Cine Sound Generator Hires: SS Film Power Transportation: JK Rentals, Lala tempo Service Production Boys: Manish Singh, Manish Gupta, Nandhu Kumar, Ashok Gupta, Shashikant, Junun, Jitendra yadav, Dhruv, Surendar, Harish Chand Bhardwaj Mayur Hola Prateek Suri Isha Khanna Sanghamitra Chakraborty #CHROMEPICTURES #HemantBhandari #AmitSharma #AleyaSen #OyoRooms #OYOEverywhere

Voiceover

Voiceover
Atlantis "Come to Life"
01:01

Atlantis "Come to Life"

“Come to Life" is a celebration of Bahamian culture and an invitation to the rest of the world to discover this unique blend of island charm and creative sophistication, raw energy and deep history. Accompanied with a voiceover inspired by the national anthem and the coat of arms, we embark on a visual journey that provides an intimate peek into Atlantis Resort and the spirit of the Bahamas through the soul of fifteen Bahamian artists, musicians and designers. -- Client: Atlantis President & Managing Director: Howard Karawan Chief Marketing Officer: Lauren Snyder Agency: enso Executive Creative Director. : Davi Sing Executive Producer: Jimmy Greenway Production Company: Variable Director: Per-Hampus Stålhandske Director of Photography: Oliver Millar 2nd Unit Cinematographer: Devin Karringten Underwater Cinematographer: Peter Zuccarini Production Designer: Joseph Sciacca Executive Producer: Tyler Ginter Head of Production: Alex Friedman Supervising Producer: Paige DeMarco Line Producer: Richard Schwab Production Supervisor: Kimberly Haggerty Commercial Coordinator: Miles Abalia Talent Coordinator: Jenny Pinder Travel Coordinator: Rocco Campanelli 1st Unit 1st AC: Doug Durant 2nd Unit 1st AC: Matt Degreff 1st Unit 2nd AC :Rachel Batsvili 2nd Unit 2nd AC: Michael Chavez Steadicam Operator: Brian Nordheim Drone Pilot: Nick Brown @ Dronebois DIT / Phantom Tech: Tech Jeff Levine Gaffer: Lavelle Higgins Best Boy Electric: Malcolm Jolley Electric: Johnny Gibson Electric: JR Lord Key Grip: Paul Womack Best Boy Grip: Chris Tarantino Grip: Billy Zakoor Grip:Julian Lord Grip: Calvin Duncombe Grip: Burton Lightbourne Art Coordinator: Brad Burke Art Assistant: Colyn Rolle Art Assistant: Diego Davis Locations Manager: Sara Hamilton VTR: Mike Harvey Key Hair: Yvonne Daly Key Make Up: Kali Kennedy Make Up Assistant: Hadia Kabir Key Costumer: Ise White Wardrobe Assistant: Douglas Wright Seamstress: Dierdre Turnquest Production Assistants: Richard Gonzalez, Tom Mazza, Rob Levy, Rafael Fuster, Clifton Rolle, Renaldo Fountain, Travis Clarke, Michael Edie Drivers: Jeremiah Rolle, Charlie Rahming Post Production (Director Cut): Variable Editor: Per-Hampus Stålhandske Post Producer: Rocco Campanelli Sound Design/Mix: Defacto Sound Colorist: Nicke Jacobsson Online: Sindre Hammersboen Original Score Composed & Arranged by Erik Arvinder -- www.WeAreVariable.com hello@WeAreVariable.com

Montage

Montage
OYO - Tout Out (Raho Mast with OYO Rooms) | Hand-picked by Good Ads Matter
00:55

OYO - Tout Out (Raho Mast with OYO Rooms) | Hand-picked by Good Ads Matter

Instagram: https://www.instagram.com/goodadsmatter/ Linkedin: https://www.linkedin.com/company/good... Facebook: https://www.facebook.com/goodadsmatter Website: https://www.goodadsmatter.com/ | https://www.purposestudios.in/ Send us your work on submission@goodadsmatter.com Ask us your questions on contact@goodadsmatter.com OYO saves the day from touts with this cheeky campaign. #GoodAdsMatter The brand’s full-blown, position defining campaign was a set of 3 ads, each targeting a specific customer segment, and each establishing OYO as the ultimate solution. At the crux of this campaign lies a single message of affirmation that regardless of your budget, who you are, where you belong and what you do, “raho mast”– as is the title. With three films– focusing on families, businessmen and couples each– and narratives that take a quirky and relatable approach, OYO effectively communicates its message and comes out victorious as the ultimate hospitality chain that serves all. As Gaurav Ajmera, Chief Operating Officer at OYO Hotels and Rooms, likes to put it, “these TVCs are an ode to our guests, who continue to inspire us in making OYO their most-preferred hospitality partner whenever they travel.” Country: India Year: 2019 Brand: OYO Agency: OYO Brand & Design Team Production Company: Chrome Pictures Producers: Abhishek Notani & Shruti Bhandari Director: Hemant Bhandari Project Coordinator: Napolean Daniel Amanna Director of Photography: Pratik Shah Production Designer: Akriti Piplani Costume Stylist: Ameira Punvani Editor: Shahnawaz Mosani Music Director: Sidhant Mago & Mayank Mehra Casting (Mumbai): The Perfect Way (Sumit Bhavna & Team) & In-House Casting Casting (Delhi): DM Stars Production Controller: Sandeep Gupta Production Manager: Shashikant Singh Assistant. Producer: Drishti Goda Production Asst: Sathish Krishnamoorthy Storyboard Artist: Mayur Saikia Costume Assistant: Harpreet Singh Sawhney, Bithi Kacholia Dressman: Gurmeet ,Rajan, Amit & Ravi Tailor: Mohd Shaeem Siddiqui AC: Salman Salar Khan Focus Puller: Rohit Yadav Art Director Assistant(Akriti team): Salman Khan, Vidya Shiva Kumar Delhi: Line Production: Sastha Productions Line Producer: Shailendar Kaushik Sastha Productions Team: Mohd Kaif, Manish Bhardwaj, Dinesh Thakur, Santosh Kumar, Rahul Gupta Lights: Flamingo Lights Gaffer: Siby Joseph Panther & Grips: Mahalaxmi Grips Grip Asst: Montu Ninder, Harpal, Ankush Camera: Prerna Films Camera Attendant: Sunil D’Cunha, Mohan & Sohail Ali Makeup: Mohd Razi Facility Boy: Gullu & Team Dit: Vishal Transport: JS Travels Still Photographer: Raj Digital Studio Sound Recordist: Shivmurat Mishra Security: Aqeel Ahmed Catering: Alfaroz Catering Oyo Room Mumbai: Production Designer: Urvi Asher & Shipra Rawal Art Director Assistants (Urvee Team): Rizwan Thakur , Sankalpa Ranade, Krishna Thakur, Nikita Bhatiya. Make-Up Studio : Dinesh S. Dake & Manglesh Jaiswal Hair Stylist: Reshma Shaikh Dressman : Bhaskar A Satam, Chandrakant Patil Lights: Gopal Lights Gaffer: Vishwanath Chaugule Camera: Sera’s Equipments Camera Attendant: Sunil D’Cunha, Flavia D’Cunha Panther & Grips: Magic Moves Panther Attendant.: Jacob Boyalla Phantom(Studio): Prasad Equipments Production Controller: Sandeep Gupta Production Manager: Shashikant Singh Assistant. Producer: Drishti Goda Production Asst: Sathish Krishnamoorthy Storyboard Artist: Mayur Saikia Costume Assistant: Harpreet Singh Sawhney, Bithi Kacholia Dressman: Gurmeet ,Rajan, Amit & Ravi Tailor: Mohd Shaeem Siddiqui AC: Salman Salar Khan Focus Puller: Rohit Yadav Art Director Assistant(Akriti team): Salman Khan, Vidya Shiva Kumar Post Producer: Mithun R Shaw Post Asst: Abhishek Singh Sound Engineer: Darshan Nair & Risbhabh Bose Sound Assistant: Lucky Dhami Trumpet: Robin B .Fargos VO: Akshat Ghildial Grade: Navin Shetty (Nube Studio) DIT Mumbai: Ravi Tiwari Online Editor Dipankar Mitra Asst Online editor: Dipen Singha Accountants: Vaibhav Desai Sr.Head Accountant: Rajesh Tanvani Marketing & PR: Ashish Gole Catering : Lunch: Muthuswammy Catering Services & Punjabi Tadka, Snacks: Chole Kulche Vanity Van : Siddhi Vinayak Vanities Walkie Talkie: Shri Manjunatheshwara Cine Sound Generator Hires: SS Film Power Transportation: JK Rentals, Lala tempo Service Production Boys: Manish Singh, Manish Gupta, Nandhu Kumar, Ashok Gupta, Shashikant, Junun, Jitendra Yadav, Dhruv, Surendar, Harish Chand Bhardwaj This video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.
Acko Insurance
01:34
West Texas
01:01
S7 Airlines – Earth
01:41
Feel the Rhythm of Korea with BTS – JEJU JAZZ
03:00

Feel the Rhythm of Korea with BTS – JEJU JAZZ

SUGA and Jimin really look so relaxed in this gentle breeze with the warm sunshine of Jeju. Why not enjoy Jeju’s wonderful weather with a stunning view to the slow, relaxing beat of K-Jazz? Check-out amazing spots where people and nature harmonize together in this "healing city". [Tourist Attractions in the Video] 📍 Saryeonisup Forest Trail 📍 Jeju Museum of Art 📍 Seongsan Ilchulbong Tuff Cone 📍 Hwanguji Coast 📍 Korea Polo Club 📍 Jeongbangpokpo Falls 📍 The Seaes Hotel & Resort 📍 Haenyeo Village 📍 Olle Trails 📍 Seongeup Green Tea Village Learn more at [Visit Korea] - English : https://bit.ly/3TBqF60 - Japanese : https://bit.ly/3gKQUIE - Chinese : https://bit.ly/3Wg8aWz [Music] “The wind is blowing” – Park Sung Yeon 슈가와 지민이 산들바람을 맞으며 힐링하는 이 곳은 어디일까요? 사람과 자연이 어우러지는 힐링의 도시 제주에서 K-재즈와 함께 여유를 즐겨보세요 [영상 속 관광지] 📍 사려니숲길 📍 제주도립미술관 📍 성산일출봉 📍 황우지 선녀탕 📍 한국폴로컨트리클럽 📍 정방폭포 📍 씨에스호텔 리조트 📍 해녀마을 📍 올레길 📍 성읍 녹차마을 관련 정보 [Visit Korea] - 영어 : https://bit.ly/3TBqF60 - 일본어 : https://bit.ly/3gKQUIE - 중국어 : https://bit.ly/3Wg8aWz [음악] “바람이 부네요” – 박성연 #BTS #SUGA #Jimin #FEEL_THE_RHYTHM_OF_KOREA #JEJU #KOREA #KOREATRIP #TRAVEL #KPOP #방탄소년단 #슈가 #지민 #필더리듬오브코리아 #제주 #한국 #한국여행 #여행 #한국관광 #제주여행

Experimental

Experimental
Emirates Ad | Hand-picked by Good Ads Matter
01:55

Emirates Ad | Hand-picked by Good Ads Matter

𝗝𝗼𝗶𝗻 𝗼𝘂𝗿 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆 𝗼𝗳 𝟲𝟬𝟬𝗸+ 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴/𝗮𝗱𝘃𝗲𝗿𝘁𝗶𝘀𝗶𝗻𝗴 𝗲𝗻𝘁𝗵𝘂𝘀𝗶𝗮𝘀𝘁𝘀 𝗮𝗻𝗱 𝗹𝗲𝗮𝗿𝗻 𝗵𝗼𝘄 𝘀𝘂𝗰𝗰𝗲𝘀𝘀𝗳𝘂𝗹 𝗮𝗱 𝗰𝗮𝗺𝗽𝗮𝗶𝗴𝗻𝘀 𝗮𝗿𝗲 𝗰𝗿𝗮𝗳𝘁𝗲𝗱! 𝗦𝗶𝗴𝗻 𝘂𝗽 𝘁𝗼 𝗼𝘂𝗿 𝟭𝟬𝟬% 𝗳𝗿𝗲𝗲, 𝗵𝗮𝗻𝗱𝗰𝗿𝗮𝗳𝘁𝗲𝗱 𝗺𝗼𝗻𝘁𝗵𝗹𝘆 𝗻𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿 𝗵𝗲𝗿𝗲 - https://bit.ly/GoodAdsMatter-Newsletter Instagram: https://www.instagram.com/goodadsmatter/ Linkedin: https://www.linkedin.com/company/good... Facebook: https://www.facebook.com/goodadsmatter Website: https://www.goodadsmatter.com/ | https://www.purposestudios.in/ Send us your work on submission@goodadsmatter.com Ask us your questions on contact@goodadsmatter.com Emirates takes off the stadium but with a twist. Well, we’ve all seen Emirates make a splash in soccer and cricket with SL Benfica, Hamburg SV, and at the ICC World Twenty20. But they took it up a notch and landed on the baseball field, cheering on the Los Angeles Dodgers at the United States’ largest baseball stadium. With Emirates flight attendants showcasing some unexpected pre-takeoff safety measures in a creative and show-stealing way at the Dodger Stadium, they transformed typical safety tips into playful instructions on how to best prepare for the nine innings of baseball. From pointing out the 10 stadium gates and 21 terraced entrances to offering seventh-inning stretch tips and rally cap emergency procedures, they had it all covered. To top it off, Dodger legend Orel Hershiser joined the Emirates cabin crew for the first pitch, delivering a witty performance that blended aviation safety with the baseball fandom. To date, Emirates constantly grabs our attention with their out-of-the-box ideas and engaging marketing stunts. This campaign exemplifies their deep affinity for sports, showing how, like sports, Emirates has the unique ability to connect people and their passions. Country: USA Year: 2016 Brand: Emirates (@emirates) 𝗛𝗮𝗻𝗱-𝗽𝗶𝗰𝗸𝗲𝗱 𝗯𝘆 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗠𝗮𝘁𝘁𝗲𝗿, 𝗮𝗻 𝗶𝗻𝗶𝘁𝗶𝗮𝘁𝗶𝘃𝗲 𝗯𝘆 𝗣𝘂𝗿𝗽𝗼𝘀𝗲 𝗦𝘁𝘂𝗱𝗶𝗼𝘀. 𝗙𝗼𝗹𝗹𝗼𝘄 𝘂𝘀 𝗳𝗼𝗿 𝗶𝗻𝘃𝗮𝗹𝘂𝗮𝗯𝗹𝗲 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴 𝗹𝗲𝘀𝘀𝗼𝗻𝘀 𝗲𝘃𝗲𝗿𝘆 𝗱𝗮𝘆! –––––––––––––––––––––––––––––––––––––––––––––––––– 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗠𝗮𝘁𝘁𝗲𝗿 𝗶𝘀 𝗮𝗻 𝗲𝘅𝗰𝗹𝘂𝘀𝗶𝘃𝗲 𝟭% 𝗰𝗹𝘂𝗯 𝗼𝗳 𝗮𝗹𝗹 𝘁𝗵𝗶𝗻𝗴𝘀 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴 𝗮𝗻𝗱 𝗮𝗱𝘃𝗲𝗿𝘁𝗶𝘀𝗶𝗻𝗴 𝗮𝗰𝗿𝗼𝘀𝘀 𝘁𝗵𝗲 𝗴𝗹𝗼𝗯𝗲 𝘄𝗵𝗲𝗿𝗲 𝘄𝗲 𝗰𝗲𝗹𝗲𝗯𝗿𝗮𝘁𝗲 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗮𝗻𝗱 𝗔𝗱 𝗠𝗮𝗸𝗲𝗿𝘀 𝗮𝗹𝗶𝗸𝗲! 𝗩𝗶𝘀𝗶𝘁 𝗼𝘂𝗿 𝘄𝗲𝗯𝘀𝗶𝘁𝗲 𝗵𝗲𝗿𝗲 - https://www.goodadsmatter.com/ This video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.
Qiddiya - Set Play Free | Hand-picked by Good Ads Matter
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Qiddiya - Set Play Free | Hand-picked by Good Ads Matter

𝗝𝗼𝗶𝗻 𝗼𝘂𝗿 𝗰𝗼𝗺𝗺𝘂𝗻𝗶𝘁𝘆 𝗼𝗳 𝟲𝟬𝟬𝗸+ 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴/𝗮𝗱𝘃𝗲𝗿𝘁𝗶𝘀𝗶𝗻𝗴 𝗲𝗻𝘁𝗵𝘂𝘀𝗶𝗮𝘀𝘁𝘀 𝗮𝗻𝗱 𝗹𝗲𝗮𝗿𝗻 𝗵𝗼𝘄 𝘀𝘂𝗰𝗰𝗲𝘀𝘀𝗳𝘂𝗹 𝗮𝗱 𝗰𝗮𝗺𝗽𝗮𝗶𝗴𝗻𝘀 𝗮𝗿𝗲 𝗰𝗿𝗮𝗳𝘁𝗲𝗱! 𝗦𝗶𝗴𝗻 𝘂𝗽 𝘁𝗼 𝗼𝘂𝗿 𝟭𝟬𝟬% 𝗳𝗿𝗲𝗲, 𝗵𝗮𝗻𝗱𝗰𝗿𝗮𝗳𝘁𝗲𝗱 𝗺𝗼𝗻𝘁𝗵𝗹𝘆 𝗻𝗲𝘄𝘀𝗹𝗲𝘁𝘁𝗲𝗿 𝗵𝗲𝗿𝗲 - https://bit.ly/GoodAdsMatter-Newsletter Instagram: https://www.instagram.com/goodadsmatter/ Linkedin: https://www.linkedin.com/company/good... Facebook: https://www.facebook.com/goodadsmatter Website: https://www.goodadsmatter.com/ | https://www.purposestudios.in/ Send us your work on submission@goodadsmatter.com Ask us your questions on contact@goodadsmatter.com The spot isn’t just a product launch; it’s the unveiling of an entire city! This promotional piece introduces Saudi Arabia’s ambitious leisure district, Qiddiya, as part of the visionary Saudi Vision 2030 plan, with a focus on sports and entertainment. The narrative begins with people going through mundane entertainment activities, hinting at something missing. As the visuals progress, the rides break free with a new level of enjoyment for everyone. The climax of the ad portrays people from around the globe gathering at the edge of a cliff, symbolising their anticipation of the city’s grandeur. While the city itself remains under construction, the focus is on building excitement rather than offering a complete reveal. Despite Qiddiya’s F1 circuit, Six Flags theme park, and the city as a whole still being in progress, developers are moving forward with a highly engaging campaign. Through compelling shots, surreal VFX quality, and fast-paced visuals, the spot lands us in the world of Qiddiya City, positioned to become “the world’s first city built for play.” Country: Saudi Arabia Year: 2024 Client: Qiddiya City Executive Brand Advisor: Anthony Dalton Agency: Droga5 (@droga5) & Accenture Song (@accenturesong) CCO: Shelley Smoler (@just_shelly) Creative Directors: David Dearlove (@dearlove.david), Pete Heyes, Aziza Abid Creatives: Andy Lockley, Asmaa Mohamed Akram, Talal Haj Ali Bek Head of Design: Stephanie McArdle Design Director: Craig Atkinson Senior Designers: Oli East, Hannah Stewart Designer: Alice Galli Production Company: ProdCo (@prodcofficial) Director: Nick Roney (@nickroney) Consulting Director: Ian Pons Jewell (@ianponsjewell) Director of Photography: Erik Messerschmidt (@emesserschmidt) Founding Partner / Executive Producer: Zico Judge MD/EP: Katie Keith (@katiemkeith) EP: Amy Appleton Production Designer: Robin Brown (@robinbrownstudio) Head of Production: Sam Levene (@samlevene99) Producer: James Waters (@_choppywaters_) Production Manager: Davina Abrahams Colorist: Tom Mangham (@thomasmangham) VFX Company : Black Kite (@blackkitestudios) Executive Producer: Amy Richardson (@amyrichardson90) Producer: Polly Durrance (@pollyd317) VFX Supervisor: Adam Crocker (@adam_crocker_vfx) VFX Lead: Guillaume Weiss CG: Leads: Dan Moore, Milen Piskuliyski Edit: Final Cut Editor: Sam Bould Post Sound: String & Tins Sound Design and Mix: Will Cohen Sound Design: Lawrence Kendrick Post Production: Wellcom / Dippin’ Sauce Londo Photographers: The Wade Brothers Foley: thefoleybarn Audio Producer: Laura -Leigh Smith Music Arrangement: Guy Farley Music Supervision: Will Cohen and Laura-Leigh Smith Original Music Track: Générique Et Car De Police by Jean Constantin Art Department Director: Delfin Naya Construction Assist: Pablo Arbesu Art Director Assist: Bea Vallespin Set decorator: Claudia Alos & Carla Busque Props buyer: Elsa Bigas Standby props: Pau Arnau, Marc Garcia, Jerome Gilbert Set dresser: Gerard Martinez, Marcos Sobreviela, Alex Miret, Rodrigo Stand by rops [2 unit]: Javi Lopez, Yehor, Elo Salichs, Joaquim Jara Makeup & Hair HMU Designer: Martelle HMU Asst(s): Emma Tutusaus & Kenya Temnikova Addl HMU: Luis Soriano Costume Costume Designer: Carolina Galiana Costume Asst(s): Bruna Castillo, Joel Escalonilla Costume Aux: Eduard Barcelo Costume Standby On Set: Isabella Innocenzi Addl Costume: Rebeca Paz, Tabatha Mateu Saudi Stylist: Yahya Chkifa Saudi Seamstress: Lola Vazquez 𝗛𝗮𝗻𝗱-𝗽𝗶𝗰𝗸𝗲𝗱 𝗯𝘆 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗠𝗮𝘁𝘁𝗲𝗿, 𝗮𝗻 𝗶𝗻𝗶𝘁𝗶𝗮𝘁𝗶𝘃𝗲 𝗯𝘆 𝗣𝘂𝗿𝗽𝗼𝘀𝗲 𝗦𝘁𝘂𝗱𝗶𝗼𝘀. 𝗙𝗼𝗹𝗹𝗼𝘄 𝘂𝘀 𝗳𝗼𝗿 𝗶𝗻𝘃𝗮𝗹𝘂𝗮𝗯𝗹𝗲 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴 𝗹𝗲𝘀𝘀𝗼𝗻𝘀 𝗲𝘃𝗲𝗿𝘆 𝗱𝗮𝘆! –––––––––––––––––––––––––––––––––––––––––––––––––– 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗠𝗮𝘁𝘁𝗲𝗿 𝗶𝘀 𝗮𝗻 𝗲𝘅𝗰𝗹𝘂𝘀𝗶𝘃𝗲 𝟭% 𝗰𝗹𝘂𝗯 𝗼𝗳 𝗮𝗹𝗹 𝘁𝗵𝗶𝗻𝗴𝘀 𝗺𝗮𝗿𝗸𝗲𝘁𝗶𝗻𝗴 𝗮𝗻𝗱 𝗮𝗱𝘃𝗲𝗿𝘁𝗶𝘀𝗶𝗻𝗴 𝗮𝗰𝗿𝗼𝘀𝘀 𝘁𝗵𝗲 𝗴𝗹𝗼𝗯𝗲 𝘄𝗵𝗲𝗿𝗲 𝘄𝗲 𝗰𝗲𝗹𝗲𝗯𝗿𝗮𝘁𝗲 𝗚𝗼𝗼𝗱 𝗔𝗱𝘀 𝗮𝗻𝗱 𝗔𝗱 𝗠𝗮𝗸𝗲𝗿𝘀 𝗮𝗹𝗶𝗸𝗲! 𝗩𝗶𝘀𝗶𝘁 𝗼𝘂𝗿 𝘄𝗲𝗯𝘀𝗶𝘁𝗲 𝗵𝗲𝗿𝗲 - https://www.goodadsmatter.com/ This video is under Fair Use: Copyright Disclaimer Under Section 107 of the Copyright Act in 1976; Allowance is made for "Fair Use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit go directly to its rightful owners. No copyright infringement intended.
Kathmandu - Summer Never Sleeps
01:18

Kathmandu - Summer Never Sleeps

Music / 'Jimmy, Renda-Se‘ by Tom Zé Director / Daniel Warwick DoP / Jan David Günther Production Company / Scoundrel Exec Producer / Adrian Shapiro Producer / Morgan Benson Taylor Editor / Adam Wills Client / Kathmandu Client CCO / Eva Barrett Client Head of Global Brand Comms / Michaela Clark Client Global Head of Social Media / Shailyn Shah Creative Agency / Special Group New Zealand Chief Creative Officer / Tony Bradbourne Executive Producer / Sally Lankshear Senior Producer / Casey King Executive Creative Director / Lisa Fedyszyn & Jonathan McMahon Creative Director / David Shirley Associate Creative Director / Julia Ferrier Storyboards / Otto Wiezorek Cast Duc Jeremy Vu Oscar Kapoya Bobbie Twaddle Julia Aguilar Tjaša Žibert (The fantastic Mrs Fox) Abiola Efunshile Egshing Varga Eva Mauricio Kani Obelga Matej Pusnik (Mr Merman) 1st AD / Nikolaus Sauer 2nd AD / Nataša Uzunović Choreographer / Erik Bukovnik Service Production / Bas Productions Service Exec Producer / Andrej Caruso Line Producer / Luka Jauh Production Manager / Patrik Šimenc Production Coordinator / Martina Crnkovic Unit/Set PA / Sebastjan Logar Unit/Set PA / Blaž Pogačar TC/Prod. Driver #1 / Andrej Repovž Location Manager SLO / Blaž Bačar Location Manager IT / Miha Repič Production Designer / Miha Knific & Lara Štefančič Art Director / Lara Štefančič Prop on Set / Žan Kalan Stylist / Tina Tanko Stylist Assistant / Suzana Bićanić Make Up Artist / Nastja Pestivšek Make Up Artist Assistant / Kristina Mandić Hair Stylist / Borut Novak 1st AC / Pavel Kurak Loader / Jan Skriecka 2nd AC / Luka Podobnikar Video Assist / Noel Šimenc Video Assist / Jernej Valenčič Gaffer / Jernej Prebil Best Boy / Marko Perne Electrician / Jani Podmilšak Electrician / Marjan Vidmar Electrician / Dušan Praznik Electrician / Jurij Wolgemut Electrician / Jernej Korenčan Electrician / Jon Prebil Electrician / Urh Cerovnik Light Operator / David Crane Operator / Luka Zdešar Key Grip / Rok Grdin Grip / Ivan Radeljak Grip / Aljaž Založnik SFX Master / Aleš Šmuc SFX / Jan Januš Animal Wrangler / Jože Ilc SOME / Anže Lovšin Sound Master / Martin Jelovšek Catering Coordinator / Jernej Konda Craft / Rok Vengust Craft / Sara Ogrizek Chef / Jaka Hergeršič Chef Assistant / Petra Skopec Driver / Franc Vidmar Post Production / Bepic Berlin Creative VFX Supervisor & Partner / Basti Konradt Post & VFX Producer / Lion Graf VFX Artists: Motion Graphics / Tulio Inoue Flame Artist / Chris Weingart Cartoon Animation / Laurie Herman Endshot Painting / Paula Blesa Colourist / Sarah Salzmann Post Production: Mario Borgmeier Milan Braune Soundmix / Stefan Kraatz Sound Producer / Maurice Krämer Special Thanks to Andrea Roman & Zauberberg Dirk Kübler Filmversicherung Berlin Jakob Rühle
Feel the Rhythm of Korea with BTS – BUSAN BLUES
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Feel the Rhythm of Korea with BTS – BUSAN BLUES

Ever heard of K-Blues? Now is the perfect time to fall in love with the K-Blues that SUGA and Jimin chose. The magnificent night view of the famous Gwangandaegyo Bridge to the serene Songjeong Beach. Look around the lyrics to find out more about Busan's wonderful places awaiting you! [Music] “Come Back to Busan Port” – Cho Yong Pil [Tourist Attractions in the Video] 📍 Namparang Trail 📍 Songjeong Beach 📍 Busan Port 📍 Oryukdo Islets 📍 Gijang Market 📍 Busan Cinema Center 📍 Marine City 📍 Gwangandaegyo Bridge Learn more at [Visit Korea] English : https://bit.ly/3CNlglb Japanese : https://bit.ly/3TnZNWy Traditional Chinese : https://bit.ly/3eEPKO0 슈가와 지민이 선택한 K-블루스 음악과 함께 한국의 제2의 도시, 부산을 소개합니다. 노래 가사 속 등장하는 부산항, 오륙도와 활기 넘치는 기장 시장, 평화로운 송정 해수욕장, 화려한 광안대교의 야경을 품은 다채로운 매력의 도시, 부산의 리듬을 느껴보세요! [음악] “돌아와요 부산항에” – 조용필 [영상 속 관광지] 📍 남파랑길 📍 송정해수욕장 📍 부산항 📍 오륙도 📍 기장시장 📍 영화의 전당 📍 마린시티 📍 광안대교 관련 정보 [Visit Korea] 영어 : https://bit.ly/3CNlglb 일어 : https://bit.ly/3TnZNWy 중번 : https://bit.ly/3eEPKO0 #BTS #KOREATRIP #BUSAN #KOREA #TRAVEL #KPOP #FEEL_THE_RHYTHM_OF_KOREA #방탄소년단 #필더리듬오브코리아 #한국여행 #한국관광 #부산 #부산여행 #슈가 #SUGA #지민 #Jimin
SNCF "Europe. It's Just Next Door"
01:40

Real

Real
Chevy "The Hunt Alone"
01:53

Chevy "The Hunt Alone"

The Hunt Alone follows real Discovery Channel filmmakers on their journey to capture the perfect shot and share with the world the astonishing beauty and power of mother nature. "Alone" by Edgar Allan Poe embodies the essence of these adventure filmmakers; a unique breed of people who thrive in their dangerous and often lonely passion. -- Agency: McCann Executive Creative Director: Fang Shao Pai Head of Production: Ooi Kar Kiet Creative Director: Su Tong Tao Account Director: Krad Dong Wenyun Production Company: Variable Production Company: Black+Cameron Director: Lloyd Lee Choi Supporting Director: Jonathan Bregel Cinematographer: Oliver Millar 2nd Unit DP: Richard Kendall Aerial DP: Tim Sessler Phantom DP: Jonathan Bregel Production Designer: Joe Sciacca Executive Producer: Tao Wright Executive Producer: Andrew Gregg Executive Producer: Tyler Ginter Head of Production: Alex Friedman Producer: Paige Demarco Art Director: Caitlin Van Horn Line Producer: April Lee Line Producer: Alex Friedman Line Producer: Carol Le Production Supervisor: Bo Crutcher Production Coordinator: Jacob Esquivel Travel Coordinator: Bethel Thesome 1st AD: Shad Melvin Leadman: Brad Burke Set Decorator: Goose Bernsen Location Manager: Vincent Lopez Location Manager: Demian Spilsbury Drone Pilot: Nick Kolias 1st AC: Cynthia Hadfield B Cam 1st AC: Benjamin Dell DIT/Phantom Tech: Jeff Levine Gaffer: Ron Arredondo Gaffer: Roger Stoddard Key Grip: David Gonzalez Key Grip: Ron Nix Wardrobe Stylist: Susan Chan Hair & Make Up Stylist: Zenna Hodge Horse Wrangler: Peter Sherayko BTS Filmmaker: Darrell Ham Post Production: Variable Post Production: Black+Cameron Editor: Matt Osborne Editor: Lloyd Lee Choi VFX/Flame: Alex Brodie Color: Company3 Colorist: Jaime O’Bradovich Color Producer: Tom Gehring Sound Design/Mix: Defacto Sound Conform: Jeff Levine Original Score Composed by Edo Van Breemen Additional Orchestration by Johannes Winkler “Alone” Written by Edgar Allan Poe Read by Tom O'Bedlam Discovery Channel Filmmakers Andy Casagrande Paul ‘Mungo’ Mungeam Supporting Cast Amanda Rau Timothy Prindle -- www.WeAreVariable.com hello@WeAreVariable.com
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See the seven wonders of the world and beyond in this repository - a compilation of cinematic travel and tourism montage advertisements of the most beautiful and exquisite places around the globe. From the beauty of Pahalgam to the magic of Alps, witness it all!

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